I7 roman degree

The tonic turned dominant — adding a minor 7th makes I the V OF IV, tonicising the subdominant. That blues-and-gospel turn that pushes toward IV.

Where it lives

0semitones from the tonic

Major mode

dominant 7th

Hear it in context: Gospel Quick-Change

I Cmaj
I7 C7
IV Fmaj
I Cmaj

Piano sound loads on first tap. Resolved in the key of C — every chord links to its full analysis.

Progressions that use it