Bmaj11#11 Major 7th
The Bmaj11#11 chord is built from the notes B – D# – F# – A# – C# – E – E#.
Piano sound loads on first tap.
Chord tones, one by one
Root
The fundamental note the chord is built on — B.
Major third
Four semitones — makes the chord major (brighter, happier).
Perfect fifth
Seven semitones — the most stable interval, reinforces the root.
Major seventh
Eleven semitones — a lush, jazzy seventh just below the octave (maj7).
Ninth (9)
A 9th — colorful extension a whole step above the octave.
Eleventh (11)
An 11th — a suspended, airy color on top of the chord.
Sharp eleventh (♯11)
A ♯11 — the bright, floating Lydian color.
🎹 Modal analysis
This chord is so rich it doesn't fit a single scale: it's a polychord (an “upper structure”) that stacks tensions from several scales at once. It doesn't work like a dominant that “wants” to resolve — it's pure color: picture one triad floating over an unrelated bass, the kind of sound used in reharmonization and modal passages. To make sense of it, follow the note-by-note breakdown above.
🎸 Genres
Modern jazz · Fusion · Film & TV scoring · Impressionism